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Cascades Barn

North Cascades | Washington

Cascades Barn.

Limited Edition of 50 Exclusive high-resolution Museum Quality Fine Art Prints.

The climate in the North Cascades varies considerably by location and elevation. The western slope of the range is wet and cool, with 60 to 250 inches (1.5 to 6.4 m) of precipitation per year. This produces a temperate rain forest climate in the low valleys, which then grades into montane and alpine climates on mountain slopes and peaks. Summers are comparatively dry, with far less precipitation than in winter; sometimes the warmer eastern air and cooler western air meet at the Cascades during the summer months, and form thunderstorms. Sometimes, the storms move downwind into lowland cities.[8] The eastern slope lies in the rain shadow of the range, since prevailing winds and most moisture come from the west, and hence is significantly drier than the western side of the main divide, becoming semi-arid in the eastern lowlands.[9][10] As with most mountainous areas, precipitation increases dramatically with increasing elevation. As a result, there is a great deal of winter snow and glaciation in the high North Cascades.

The eastern slopes and mountain passes can receive significant snowfall. Cold Arctic air can flow south from British Columbia through the Okanogan River valley into the bowl-like basin east of the Cascades. Cold air damming causes this Arctic air to bank up along the eastern Cascade slopes, especially into the lower passes, such as Snoqualmie Pass and Stevens Pass. The milder, Pacific-influenced air moving east over the Cascades is often forced aloft by the cold air held in place in the passes due to cold air damming. As a result, the passes often receive more snow than higher areas in the Cascades. This effect makes the relatively low elevation ski resorts at Snoqualmie Pass (about 3,000 feet (910 m)) and Stevens Pass (about 4,000 feet (1,200 m)) possible.[11]

Photo © copyright by Jess Lee

Ultra Lumachrome® HD Trulife® Acrylic Print

I believe the Lumachrome® HD Acrylic Print using TruLife® acrylic is the finest image display medium available today. The Lumachrome® process is engineered to overcome and surpass the limitations of traditional Fujiflex chromagenic and other inkjet processes. Details appear to emerge in 3D from the depths of the image with the Lumachrome® process along with brilliant colors, superior shadow luminosity & detail and a radiant glowing response under halogen lighting.

Trulife® acrylic is an innovative, single sided, anti-reflective and abrasion resistant acrylic. It virtually eliminates reflections, blocks up to 99% of UV rays, has a hard coat that protects against scratches and cleans like glass. Your print will have a 1/8 inch thick acrylic surface with an aluminum backing and an HD 1.375" ROMA back mounted recessed floating frame allowing your artwork to appear to “float” on the wall.

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Framed Ultra Lumachrome® HD Trulife® Acrylic Print

Framed Ultra Lumachrome® HD Trulife® Acrylic Print

Framed Ultra Lumachrome® TruLife® acrylic prints with the addition of a MUSEUM QUALITY Roma® Tabacchino Dark Ash 4-inch Italian wood moulding with 3-inch linen liner available in black or white.

These Exclusive Limited Edition pieces are by far the most highly sought-after by fine art collectors world wide. The 'Best of the Best', luxury fine art print presentation, these exquisite hand-made frames add an approximate 10-14 inches to the total width and height of your art piece for a detailed brilliance and warmth that is absolutely unequaled in sophistication and beauty.

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Fuji Crystal Archive Print, Ready for Framing


These fine art prints are made using Fuji Crystal Digital Pearl paper, which is the finest paper available for printing High Gloss Paper Fine Art Photographs. Pearl-like crystals give silver halide color prints a specific luster, creating a distinctive pearl-like appearance, which is sure to capture your attention. This glossy surface offers sharp detail, high intensity colors, and a distinctive pearl-like appearance. The prints are mounted to a 2mm black or white Styrene backing that resists warping, making it an excellent choice for adding durability and providing rigidity for framing. These prints are available in almost any size up 100 inches. .

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Museum Quality Fine Art Rag

Hahnemühle Photo Rag a white, 100% cotton paper with a smooth surface texture – guarantees archival standards. With its premium matt inkjet coating  

I prefer this paper for the best classic fine art display medium. My work has been printed on this paper over one thousand times and displayed  in collections worldwide. Its surface is smooth with a subtle texture, and a slightly warm base that produces very pleasing B&W prints reminiscent of platinum prints and meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper.



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Exhibition Quality Mounted Metal Print, Ready to Hang

These prints represent a new art medium for preserving photos by infusing dyes directly into specially coated aluminum sheets. The finished images will take on a magical luminescence. Colors are vibrant and the luminescence is breathtaking. Detail and resolution are unsurpassed make any space come to life. They are available in sizes up to 48” x 96”.

The prints are made with a brilliant white high gloss surface for unsurpassed detail and vibrance. They are mounted on 2mm black Styrene and finished with a black edge and an black metal inset frame that floats the print ¾” off the wall when hung.

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If you need a size that is not shown or a larger size, please contact Jess for options.

Please allow 2-3 weeks for production and delivery.

U.S. orders ship FREE. Contact Jess for international shipping fee. Please allow 2 weeks for production and delivery.