Mountain Photography | Mountain Landscape Pictures | Alpine Photos for sale

Mountain Photography Gallery

This is a collection of Fine Art Mountain photos and limited edition prints featuring Alpine Landscape Photography of the Grand Tetons, Cascades, Sierras, San Juans, Wyoming, Norway, Rocky Mountains for sale by Jess Lee.

These fine art limited edition pictures are available for purchase as the highest quality photography prints possible today. Beginning with the artistic skill to capture beautiful images of wonderful scenes and using the highest resolution digital and film ( Yes, I do occasionally use Large Format Film Cameras) equipment your selected print is designed and produced to assure that these artworks will give you the pleasure of having fabulous mountain scenes on the walls of your home or office to enjoy for years to come. Fine art photography prints can help to relax and sooth you while taking your mind away from the worries of todays issues. No matter if it is in autumn, winter, spring, or summer, landscape and wildlife photography bring not only a feeling of adventure but drama, the quest for the unknown and the thrill of viewing pristine wilderness.

The photos from this gallery are made as collectible, museum quality, exclusive, fine art, limited edition luxurious prints. These prints are made from the finest materials in the industry and are available as Lumachrome® HD Trulife® Acrylic Prints, Exhibit Mounted Metal Prints, Canvas and Fuji Crystal Archive Prints. The prints ordered from this gallery are delivered signed and numbered. In addition, along with the luxurious collectible print you will receive a Certificate of Authenticity sign by myself.

After selecting the desired photo, just select the type and size of print you would like to purchase in the area beneath the photo. If you are looking for a different size than what is shown or have any other questions or special needs, please contact us.. For more information and details regarding these museum quality landscape prints for sale, please click on this link to our Prints Page. I appreciate you taking the time to look at the many images I have to offer and if you have any questions or special needs, I would be happy to hear from you.

Mountain Photography and painting prints are the foundation of Landscapes of the American West

A dramatically-lit black-and-white photograph depicts a large river, which snakes from the bottom right to the center left of the picture. Dark evergreen trees cover the steep left bank of the river, and lighter deciduous trees cover the right. In the top half of the frame, there is a tall mountain range, dark but clearly covered in snow. The sky is overcast in parts, but only partly cloudy in others, and the sun shines through to illuminate the scene and reflect off the river in these places.

The Tetons and the Snake River (1942) Ansel Adams

Romantic landscape artists Albert Bierstadt and Thomas Moran portrayed the Grand Canyon and Yosemite during the 19th century, followed by photographers Carleton Watkins, Eadweard Muybridge, and George Fiske.[40] Adams's work is distinguished from theirs by his interest in the transient and ephemeral.[35] He photographed at varying times of the day and of the year, capturing the landscape's changing light and atmosphere.[55][126][127] His grand, highly detailed images originated in his interest in the natural environment.[55] His black-and-white photographs were not pure documents, but reflected a sublime experience of nature as a spiritual place.[20] With increasing environmental degradation in the West during the 20th century, his photos show a commitment to conservation.[126]

Art critic John Szarkowski wrote, "Ansel Adams attuned himself more precisely than any photographer before him to a visual understanding of the specific quality of the light that fell on a specific place at a specific moment. For Adams the natural landscape is not a fixed and solid sculpture but an insubstantial image, as transient as the light that continually redefines it. This sensibility to the specificity of light was the motive that forced Adams to develop his legendary photographic technique."[128]

In 1955, Edward Steichen selected Adams's Mount Williamson for the world-touring Museum of Modern Art exhibition The Family of Man,[129] which was seen by nine million visitors. At 10 by 12 feet (3.0 by 3.7 m), his was the largest print in the exhibition, presented floor-to-ceiling in a prominent position as the backdrop to the section "Relationships",[130] as a reminder of the essential reliance of humanity on the soil. However, despite its striking and prominent display, Adams expressed displeasure at the "gross" enlargement and "poor" quality of the print.[131]