This Fine Art Landscape photograph of Grand Teton National Park can be purchased in one of four museum quality print styles as shown below. Please contact us if you have any questions.
Mormon Row, formerly known as the town of Grovont, was settled in the late 1890s by Mormons from the Salt Lake region. Due to the Homestead Act of 1862, which granted land ownership to any person willing to build a house and cultivate the area for five years, this community was able to establish a presence in the area east of Blacktail Butte. Settlers secured 27 homesteads that they built close together to share labor and community.
Settlers dug miles of ditches to bring water from the Gros Ventre River to their fields. In the winters, these ditches would freeze so families traveled to the river with buckets to gather much needed water. It wasn’t until 1927 that the Kelly Warm Spring cooled, caused by hydrologic shifts from the Gros Ventre slide flood, and offered a dependable water source to residents year round. Families mainly grew hay and ninety-day-oats, as these were a few of the only crops that were able to survive the short growing season and harsh conditions of Jackson Hole. Families also owned cows, whose milk and meat provided food, as well as horses, that helped settlers till the fields.
The town of Grovont once contained multiple ranches, homes, a church, and a school. The church, built in 1916, played a critical role in the community, serving as a social stage for all, regardless of faith. Although the building was moved to Wilson, it is marked at Mormon Row by fence posts, two cottonwoods, and a spruce tree.
In the mid-1900s, Mormon Row was acquired to expand Grand Teton National Park and in 1997 the district was added to the National Register of Historic Places. Below are descriptions of some of the barns that still stand today, offering the same feeling and setting of the district as it was 100 years ago.
Photo © copyright by Jess Lee.
Gallery style float mount Ready to Hang Lumachrome® HD Acrylic Prints using TruLife® acrylic are the finest image display medium available today. The perfect for those who prefer a highly detailed vibrant artwork. These Exclusive Limited Edition Museum Quality pieces are by far the most highly sought-after by fine art collectors worldwide. The 'Best of the Best', luxury fine art print presentation. More information.
This process offers more detail and richer colors than Metal or Canvas and is only surpassed by TruLife Acrylic Products but at a more affordable price. Premier Ultra Acrylic finished images will take on a magical luminescence but will have a slightly more reflective surface than the TruLife Acrylic. The colors are vibrant, and the luminescence is breathtaking, with excellent archival quality.
Detail and resolution are unsurpassed by any product except TrueLife Lumachrome, making any space come to life.
These ready-to-hang metal prints represent an art medium for preserving photos by infusing dyes directly into specially coated aluminum sheets. Metal prints have more detail and richer colors than canvas. Metal-finished images will take on a good luminescence but not to the level of acrylic products. The colors are vibrant, and the luminescence is excellent. They are available in sizes up to 48” x 96”.
Luxurious gallery-style Framed Ultra Lumachrome® TruLife® acrylic prints with the addition of a MUSEUM QUALITY Roma® Italian wood molding in various finishes to fit your taste.with linen liner .
These exquisite hand-made frames add several inches to the total width and height of your art piece for a detailed brilliance and warmth that is absolutely unequaled in sophistication and beauty.
I prefer this paper for the best classic fine art display medium for Color and Black and White. My work has been printed on this paper thousands of times and displayed in collections worldwide. Its surface is smooth with a subtle texture and a slightly warm base that produces very pleasing B&W and Color prints reminiscent of platinum prints. Fine Art Rag paper meets the highest industry standards regarding density, color gamut, color graduation, and image sharpness while preserving the special touch and feel of genuine art paper.
Most paper prints are available larger than the listed size, mounted on archival styrene, or framed on a custom basis. Please contact us for options.
If you need a size that is not shown or a larger size, please contact Jess for options.
Please allow 3 - 4 weeks for production and delivery.
U.S. orders ship FREE, crating prints larger than 24x36 may be an additional charge. Contact Jess for international shipping fee. Please allow 2 -4 weeks for production and delivery.